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sony wide angle lens

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sony wide angle lens

Yes it is. If you’re looking for a wide angle zoom lens with the best image quality and can justify the price tag, there simply isn’t a better option than the Sony 16-35mm f/2.8. So it’s also a fair assumption to say that if your primary body is a crop sensor Sony, you’re not earning money via photography. It’s by no means an exhaustive list since every photographer’s needs are different. It’s important to understand the difference between Sony FE and Sony E-mount lenses (we’ve ignored Sony A mount lenses in this review, which are for Sony’s non-mirrorless range of cameras). If you’re coming from another camera system and have always used f/1.4 lenses, give the 85mm f/1.8 a shot before sinking your cash into other options. The cameras used for testing were the full frame a7R III (reviewed here), the a7 III (reviewed here), and the crop sensor a6000 (reviewed here). a field of view significantly wider than that of the human eye However, it’s still not quite as good as the Sony GM version :-). 24mm is wide enough to get the entire church or that epic landscape shot, and 70mm gives beautiful compression for a bridal portrait. Sony ZEISS Distagon T* 24mm f/2 SSM Lens - MINT!! If you’ve never shot with a 24-70mm lens before, you’re in for a treat. There are photographers that make this combination work well, though. Sony a6000 + 35mm f/1.8 | © Rambo Estrada. I still feel the Sony ZV-1 is wide enough, but now Ulanzi WL1 Wide Angle Lens for the Sony ZV-1 has changed the camera completely. Get it as soon as Mon, Nov 9. Bokeh produced by the 35mm f/1.4 is simply amazing. I don’t want to spend too long trying to compare these two excellent lenses, since neither is the ‘right’ choice. Not sure if my toes would, though. Mark Condon is a British wedding photographer based in Australia and the founder of Shotkit. The quality of the bokeh really is great, with round and clean highlights throughout the focal length, thanks to 9 rounded aperture blades. You can also choose between a tactile click or a silky-smooth roll when twisting the aperture ring. ©2020 Sony Electronics Inc. All rights reserved. It’s my ‘money lens’, a real workhorse that delivers great-looking images over and over, and allows me to shoot in near darkness with no flash. I’m a firm believer that small mirrorless bodies should be matched with small, lightweight lenses, and this is quite simply one of the best. Compatibility: Crop Sensor (E) Minimum Focus: 0.3 m Filter Diameter: 49 mm Size: 63 mm (diameter) x 45 mm (length) Weight: Approx. And it weighs a mere 20 ounces (565 grams). Sony Alpha DT; Sony Alpha (Full-frame) more Price < $1,000 < $700 < $600 < $500 < $400 < $300 < $200 < $100; more Aperture < f/4 < f/2.8 < f/2 < f/1.8; more Wide angle < 14 mm < 10 mm ; more Telephoto > 100 mm > 200 mm > 300 mm ; more Image stabilization. Let’s break those words and abbreviations down: Other Sony lens abbreviations you may see include: In the reviews below, I’ve removed the superfluous lettering after the main elements of each lens name in the interests of simplicity – feel free to click through to each lens on Amazon to see the entire lens name. In this summary we also included some adapted lenses we think are worth mentioning. Silent shooting is useful in a whole range of situations, but my favourite place to use lightweight wide angle lenses like the 28mm f/2 is on the dance-floor. [1] Aspherical [2] Super ED glass [3] ED glass, MTF (Modulation Transfer Function) describes how well a lens can reproduce fine details, measured as the degree of contrast achieved between finely spaced lines. Sony A Mount lenses are designed for Sony Unique Translucent Mirror type camera bodies (the Sony α system). With several lens manufacturers catering to the Sony E mount, as well as Sony’s own amazing lens lineup, you can’t help feeling a bit overwhelmed by choice! This compact 12–24 mm ultra-wide-angle zoom lens features the shortest focal lengths available in any full-frame E-mount lens, with stunning corner-to-corner G Lens resolution at all apertures. Auto-focus performance is just as good as any DSLR equivalent I’ve shot with. This didn’t surprise me to be honest as I’ve fallen in love with almost every lens in Sigma’s Contemporary and Art series for mirrorless cameras so far! A wide-angle lens for Sony that left me a very good impression was the Sigma 16mm f/1.4 DC DN C (24mm in 35mm terms). Pixel peeking website DXOMark named it the highest-rated wide-angle zoom, with a sharpness score that blew the Canon/Nikon versions right out the water. Highly recommended! The images I’ve shot professionally with the Sony 85mm f/1.8 look fantastic at f/1.8, but to me, the lens really excels when stopped down to f/4~f/5.6, where images become even more contrasty and sharp, almost leaping off the screen. Sony a7RIII +  35mm f/1.4 FE | © Gold Hat Photography. The Sony a7 and Sony a9 series are full frame mirrorless cameras, so must use the FE range of lenses which have been designed to cover the entire 35mm sensor. Under $25! Whilst you could use the 35mm f/1.4 on a crop sensor body like the Sony a6500, I’d definitely recommend holding the camera+lens setup before making your purchase – the size/weight of the lens will dominate the camera, so could feel quite odd. Distortion is minimal, but this is probably due to Sony mirrorless bodies which correct most distortion in-camera. 4.1 out of 5 stars 52. If you are looking for a wide angle camera lens for Sony cameras and camcorders, there is an extensive collection compatible with such models available from leading optical brands including Sigma, Samyang and Zeiss amongst others, with apertures from f/1.2 to f/5.6.. A lens is considered to be wide angle when its focal length is less than around 350mm. Refined ultra-wide-angle optics capture expansive scenes with outstanding resolution and clarity. It is a versatile and fun little lens that is the perfect complement to a small Sony mirrorless body. Compatibility: Full frame (FE) & Crop Sensor (E) Minimum Focus: 0.8 m Filter Diameter: 67 mm Size: 78 mm (diameter) x 82 mm (length) Weight: Approx. Whilst this is a cost-effective way to create 3 focal lengths, it should also be noted that using converters in this way diminishes the amount of light that can enter the lens – these converters change the f/2 to f/2.8 and f/3.5 respectively, although in good light or when using a tripod, this won’t be an issue. Buy 40.5mm Wide Angle Lens for Sony Alpha A5000, A5100, A6000, A6300, A6500, NEX-5TL, NEX-6 Digital Camera That has Sony 16-50mm f/3.5-5.6 OSS Alpha E-mount Retractable Zoom Lens at Amazon UK. We summarize our experience with all the native E-mount and a few (manual) legacy lenses in the 9-20mm bracket to give you a compact and independent resource for choosing the right super- to ultra-wide-angle lens for your Sony A7 cameras. On a cropped sensor Sony mirrorless camera, this lens will give roughly a 50mm field of view (52.5mm), which is ideal for a whole range of subjects. Most of the advantages of G Master lenses over regular Sony lenses, or even Zeiss lenses, are admittedly a little hard to quantify by the average photographer. Lens hood / 4. The barrel is made from sturdy plastic, and the mount and filter thread are metal. All other trademarks are trademarks of their respective owners. A real workhorse that delivers great-looking images over and over, and allows you to shoot in near darkness with no flash. Imperfections like this add a certain character to the lens flare, with a certain unpredictability that’s fun to play around with. 630 g. Still on the classic 35mm focal length, the Sony 35mm f/1.4 is my recommendation for Sony full frame shooters. The 28mm field of view really encourages you to get in close for a sense of immersion, and f/2 can help direct the viewer’s eye by blurring the foreground and/or background. The A-mount is used on Sony Unique Translucent Mirror (essentially DSLR) cameras. Compatibility: Full frame (FE) & Crop Sensor (E) Minimum Focus: 0.5 m Filter Diameter: 49 mm Size: 64.4 mm (diameter) x 70.5 mm (length) Weight: Approx. ), and this one from Sony is no different, at 630 g (22.22 oz). Tell us what you think - opens in new window or tab. Sharpness is decent at f/1.8, but stopping the lens down to f/4-f/8 really yields the best results, if capturing the utmost detail is your primary concern. Sony; Lensbaby; more Category. The ‘OSS’ refers to Optical Steady-Shot (image stabilization), a feature that is rare on prime lenses. Distortion is typical for a 24-70mm lens, with pronounced barrel distortion at 24mm, although it’s all easily fixable in Lightroom. I wouldn’t want to drop it (obviously! As long as you don’t mind the weight of this lens, I really can’t find any reason not to recommend it to any kind of Sony full frame shooter. Zoom ring / 2. One other lens recommendation is the Sony 85mm f/1.8, which is a lightweight, affordable prime lens that’s perfect for portraits, delivering sharp, contrasty images with beautiful out-of-focus areas. As with the 55mm f/1.8 we discussed earlier, the 85mm f/1.8 achieves incredible amounts of detail – zooming in 100% with the Sony A7R III files is mind-blowing. There are a few wide-angle options for APS-C owners. Colours are precise and vibrant, so JPEG shooters who don’t want to spend any time behind a computer can be confident of nailing the shot straight-out-of-camera. Pixel peeking website DXOMark named it the highest-rated wide-angle zoom, with a sharpness score that blew the Canon/Nikon versions right out the water. With the compression at 85mm, I find that the bokeh at f/1.4 is almost too much. Although technically it’d fit on a full frame body, you’d experience nasty vignetting unless you cropped the image in-camera. Such a great little camera and usable tool in so many ways. FREE Shipping by Amazon. Disclaimer: All recommendations are impartial and based on user experience, with no bias to the products or the brand. One downside with f/1.4 lenses across the board is their size/weight. I’m interested to hear if you agree or disagree with any of my choices, so please feel free to leave a comment below to continue the discussion. So for a crop sensor prime lens such as the 24mm f/1.8 to cost almost as much as the camera itself (see latest price here), you’re going to ruffle some feathers amongst hobbyists! You don’t buy the Sony 16-35mm f/2.8 as a replacement to your 35mm prime lens. 16mm allows for some crazy, in-your-face moments to be captured, and the versatility of zooming out to 35mm allows you to capture wider angle for when the action becomes more varied. Also, this guide to the best lenses for Sony a6400 shooters should be useful too. Sony a6000 +  24mm f/1.8 | © Duy Nhât Phan. It is a prime super wide angle lens designed specifically for Sony mirrorless cameras with APS-C sized image sensors. Get it as soon as Tue, Dec 1. All Mobile, Tablets & Smart Devices products. If you’re coming from another camera system, investing in two Sony mirrorless full frame bodies and several lenses may be out of your budget. Based on the past few months I’ve had testing a selection of the lenses, these are the ones that I’ve chosen as a solid base for any Sony full frame or cropped sensor e-mount camera owner. Highly recommended! Features and specifications are subject to change without notice. As well as low-light shooting advantages, the larger aperture of the 35mm f/1.8 helps to separate the subject, by encouraging sharp in-focus elements, and creamy out-of-focus elements. The Sony 28mm f/2 is also popular on Sony E mount bodies, providing a 42mm field of view. Our site is not optimized for your current browser. A wide-angle lens is a go-to choice for many landscape photographers. On the Sony a6000 I used for testing, auto-focus speeds were excellent, and JPEGs looked great straight out of camera. I’ve selected the lenses above based on my own personal experience (thanks Sony USA/Australia/Japan for the loans!). Follow the link below for lens/body compatibility details. $369.99. Check out the video below to see the features that put the GM lenses one step above all the others in the Sony lens catalogue. 886 g. If you want one lens that can handle pretty much any shooting scenario and produce clear, vibrant and sharp images with incredible detail, the Sony 24-70mm f/2.8 should be at the top of your wish-list. As for FE mount (full frame) Sony cameras, my favourite prime is the Sony 35mm f/1.4 which I reviewed below. If you’re looking for the sharpest lens at a useful, flattering focal length, it’s hard to beat the 55mm f/1.8. f/1.8 on an 85mm lens looks great to me, and at only 371 g, it’s the perfect complement to a lightweight Sony mirrorless body. Linear motor for agile, highly precise focus lens control, Direct Drive SSM for quiet, highly precise focus lens control, Sony Nano AR Coating to eliminate flare and ghosting, Lens front cap: Dedicated, Lens rear cap: ALC-R1EM, Case, Looking for help? What’s the difference between Sony E Mount and A Mount? Simple – because it’s the best. BEST IN CLASS: Sony FE 16-35mm F2.8 GM Lens | Price: $2,198 The sharpest wide angle zoom ever tested by DxO Mark, this G Master wide-angle constant f/2.8 maximum aperture zoom designed for full-frame E-mount mirrorless cameras offers consistent performance throughout the zoom range and benefits working in low-light conditions. Sony, EXTRA BASS and its logos are trademarks of Sony Corporation. Owners of the Sony 16-35mm f/4 Zeiss OSS may not want to read any further, but let me just say this before digging deeper – the Zeiss version is smaller, lighter, cheaper, and can deliver outstanding results. In 2019 Sony released the new Sony a7R IV, a6600, a6400, a6100 and RX100 VII cameras and several new E-mount lenses: That’s really a busy year for Sony. By Steve Huff. This compact 12–24 mm ultra-wide-angle zoom lens features the shortest focal lengths available in any full-frame E-mount lens, with stunning corner-to-corner G Lens resolution at all apertures. Free shipping. It could be the only lens you ever need. This lens is also amazing for architecture photography for this reason, although at 55mm you’ll obviously need to be able to stand back far enough to fit the subject of your photo in completely. FE refers to a lens designed to cover a Sony full frame (35mm) sensor. Wide Angle Sony e-Mount Lens Comparisons. However, I believe that this roundup provides a solid selection of all-round lenses that give the best bang for the buck, or simply provide the absolute best image quality at a given focal length. A newer version of your browser may be available, Ultra-Wide for Dynamic Spatial Expression. With the sun at your back, images out of the Sony 24-70mm f/2.8 are vivid, sharp, contrasty and extremely sharp. It is an excellent choice for dynamic landscape and architecture photography. Wide angle lenses can’t really create much out-of-focus elements unless you get really close to the subject, but when you do, the Sony 28mm f/2 does a great job at creating subject separation. It’s fair to say that any of the Sony products with the word ‘Zeiss’ on the side really excel in image quality, especially the fast primes such as this one. One unique advantage of the 28mm f/2, is that Sony also produces two handy converters that can change the focal length of the lens – this one that makes it 21mm; and another one that makes it a 16mm fish-eye! Compatibility: Full frame (FE) & Crop Sensor (E) Minimum Focus: 0.3 m Filter Diameter: 72 mm Size: 78.5 mm (diameter) x 112 mm (length) Weight: Approx. Both the Canon and Nikon offerings top the scales at around 600 g (21.2 oz. When tested on my a7R III and a a6000, I found auto focus speeds to be just as snappy as the fastest DSLR lenses I own, and much quicker than the Sony 50mm offerings. As for image quality, the 24mm f/1.8 is impressively sharp right across the frame, especially when stopped down to f/4. Be among the first to get the latest Although cheaper than the Canon/Nikon equivalents by about $300 (see the latest price here), I imagine that the majority of its owners are either professionals (like me), or amateurs who place a great value on stellar imaging performance. Be sure to check out this guide to the best lenses for the Sony a6000 for some more Sony e mount lens recommendations for the crop sensor format, and my guide to the best Sony accessories for what I’m currently using with my Sony cameras. Its light weight and diminished size make it a perfect walk-around lens when mounted to a Sony mirrorless camera, making this lens an extremely popular choice with street photographers. $150.00. Zooming in 100% on images shot with the 55mm f/1.8 attached to a 42MP a7R III is mind-blowing – individual eye lashes look like wires on head shots which fill the screen with the 55mm. As the only native lens in the lineup, the Sony FE 24mm f/1.4 GM sets an extremely high bar. 225 g. I’ll finish this roundup with a little bit of a controversial choice. This means you can own a Sony a7 or a9 series camera and share the lenses with your Sony a6500, Sony a6300, Sony a6400 or whatever other Sony APS-C sensor camera. I call it the ‘lazy lens’, as you can literally shoot an entire wedding with one, barely moving your feet all day! It’s a pricey beast of a lens, but it could be the only lens you ever need. Although the Sony APS-C sensor does a good job in sucking in as much light as possible, due to the limitations of the smaller sensor size, images captured in low-light at higher ISOs can become rather noisy. Do all Sony Alpha lenses fit on all Sony cameras? While they are ranked in order, all of them are good quality lenses and they are only mentioned here because they cut as one of the best. I’m not a fan of shooting extensively with a 24mm, so was worried that 28mm would be touch too wide, but it’s actually not too daunting. A new design significantly reduces overall length and front element size while maintaining the highest possible optical performance. With the sun at your back, images out of the 24-70mm f/2.8 are vivid, sharp, contrasty and extremely sharp. ), and have selected what I believe are the best options for all-round use. As you can see, our list of 6 wide angle Sony E-mount lenses gives you a variety of choices for your next gear purchase. FREE Shipping by Amazon. In my opinion, it’s the best prime lens for Sony crop-sensor camera owners who want a small and lightweight setup with excellent optical performance – it’s in many respects the perfect travel camera/lens combination. Sony news in your inbox. If you want to get the most out of every mega pixel in your Sony a6XXX body, investing in premium Zeiss optics will really open your eyes, especially if you’re used to variable aperture zoom lenses, such as the ones that typically come bundled with cameras. So what will come next? An aperture of f/1.8 also means that you’ll be able to get that coveted ‘blurred background look’ that really separates lesser cameras. Unless you’re shooting in low-light all the time, f/4 plus image stabilization and Sony’s excellent high ISO capabilities may be all you need. There’s clearly a lot of choice for Sony shooters in 2020. With the incredible high ISO performance of Sony full frame cameras, you won’t miss the 2/3 of a stop when the sun falls, and you won’t miss it even if you’re a bokeh-whore! Razor sharp, great bokeh and lightweight. Sony a7RII +  24-70mm f/2.8 | © Tony Gale. Coming from the Nikon 35mm f/1.4G (included in this best Nikon lens roundup), I noticed a similarity in the smooth transition of in-focus to out-of-focus elements which gives images a kind of ethereal personality. The fast 35mm prime lens is a stable of the wedding photography industry, partly for its ability to suck in more ambient light when light levels are low, and partly due to its gorgeous bokeh. With the ever-expanding range of Sigma Art lenses for e-mount in addition to Sony’s own offerings, the allure of using non-native glass on your Sony camera is dwindling. 680 g. If you’re looking for the best wide angle zoom lens available for Sony full frame mirrorless cameras, look no further than the Sony 16-35mm f/2.8 GM. At half the weight of the camera body, it’s the perfect complement to the slender Sony APS-C sensor bodies. Get the best deals on Sony A-mount Wide Angle Camera Lenses when you shop the largest online selection at eBay.com. Weighing in at 680g, this is one chunky lens, similar in proportions to the 35mm f/1.4 described above. 371 g. Remember I mentioned that I bought 3 lenses when I switched from Nikon to Sony? Build quality is top-notch, as you’d expect from a Zeiss lens. For this reason, this little lens which I assumed would be relegated to shots of my kids on holiday actually sees a lot of use when shooting professionally. If you want to know what lenses to buy for your Sony camera first, this quick summary should help: If you’re looking for an affordable, fun and tiny prime lens for your Sony APS-C sensor (E mount) camera, the Sony 20mm f/2.8 is my pick. Thanks to a high speed internal focusing mechanism, the 55mm f/1.8 delivers fast, silent and precise auto-focus. This is the list of lenses I’d provide any friend who’d just invested in a Sony full frame or crop sensor body. Lens; Low light lens; Portrait lens; Wide angle lens; Landscape lens; Telephoto lens; Macro lens; Sports lens; more Lens mounts. As for image quality, this is another f/1.8 Sony lens that really excels with its sharpness. In fact, each of these lenses offer different selling points such as high-quality detail, … 154 g. Still on the topic of small, lightweight lenses that pair perfectly with Sony mirrorless cameras, the Sony 35mm f/1.8 deserves pride of place in this list. If approved, a temporary shopping pass that could be up to $1500 in available credit may be issued and sent to your smartphone, allowing you to shop online right away. Colour rendition is excellent with the Sony 24mm f/1.8, and images are clear, vibrant and contrasty, but this obviously depends too on the camera used. Compatibility: Full frame (FE) & Crop Sensor (E) Minimum Focus: 0.38 m Filter Diameter: 82 mm Size: 87.6 mm (diameter) x 136 mm (length) Weight: Approx. Whilst slight barrel distortion is still apparent, it’s nothing to worry about, and easily corrected upon import to Lightroom. Opening up your aperture to f/1.8 can mean the difference between a blurry image (caused by too slow a shutter speed) and a sharp one, (where using a wider aperture allows a faster shutter speed). Well first off, attaching this lens to your Sony crop sensor body transforms it into a 35mm equivalent focal length with a fast f/1.8 aperture. Highly recommended! The above lens is the Sony FE 70-200mm f/4 G OSS. 281 g, Let’s start this review off with one of the sharpest lenses ever produced… all the way back in 2013! Sony NEX 7 +  24mm f/1.8 | © Alan Chen Photography. 16-35mm has also become popular with wedding photographers, particularly on the dance floor of all places. Incidentally also the rest of my wide-angle collection is also Rokkors, i.e. In combination with the fast f/1.8 aperture, this is another reason that the 35mm f/1.8 is so good for low-light shooting. Compatibility: Full frame (FE) & Crop Sensor (E) Minimum Focus: 0.29 m Filter Diameter: 49 mm Size: 64 mm (diameter) x 60 mm (length) Weight: Approx. Whether you’re a wide angle lens lover or prefer to zoom in to your subject, the. Similarly, it can mean the difference between a noisy image (where a higher ISO is needed to capture enough light), and a clean one (where using f/1.8 allows you to use a lower ISO). In addition, shooting near the 70mm end of the focal range at f/2.8 produces creamy bokeh that turns out of focus elements into mush – very useful for unsightly backgrounds at weddings, for example. Add in f/1.4 for beautiful subject separation and incredible low-light performance, and you have pretty much the ultimate prime lens for Sony shooters. As long as you get close enough to the subject, you can get impressive bokeh even at 24mm. Wedding photographer or not, 35mm allows you to fit enough in the frame to tell the story, whilst at the same time being equally suited to shoot a solo portrait, group shot, landscape image, or anything else for that matter. The products in this post may contain affiliate links. However, it is a tad smaller, and paired with a Sony A7 or A9 body, it actually feels pretty good – the narrowing of the lens where it meets the camera body creates a comfortable space for the fingers of your non-camera-holding hand to rest. You can check the current price of this lens here – you’ll appreciate the fact that it’s over $1,200 cheaper than Sony’s f/1.4 G Master offering, and about $700 less than the f/1.8 Zeiss Batis version. That’s why having a ‘fast’ lens with a large (f/1.8) aperture like the 35mm f/1.8 is such a big help. Let’s start with the bad news – this is one expensive lens. If you shoot with a Sony mirrorless camera that has an E mount, you have plenty of quality wide-angle lenses to choose from.On this page, we’ll take a look at eight of the best options. Following the recent release of so many Sony mirrorless camera bodies, I thought it fitting to write a roundup of the best Sony lenses available in 2020. ), feel free to skip ahead to the next recommended lens, since the 35mm f/1.8 is only for APS-C (crop) sensor shooters. One of the advantages of Sony mirrorless cameras is the ability to use almost any third party lens (via a separate mount), allowing photographers to take advantage of Sony’s class-leading camera technology with some of the world’s best glass. I’ve owned numerous iterations of a 35mm lens over my years shooting DSLRs, and so the 35mm f/1.4 was a simple choice as the first lens to buy with my a7R III. 99. I was pleasantly surprised that it’s much lighter than the Nikon equivalent (by 320g), and also Canon’s version too (by 110g). I prefer to assign the camera’s command dial to control aperture, but for fans of rangefinders or video shooters, using your other hand to adjust aperture can be convenient. Make Offer - Sony wide angle lens adapters VCL-ECF1 & VCL-ECU1 16mm 20mm. However, in most normal daylight situations, the lens/camera locked onto the subject fast enough, and it wasn’t an issue. Best Wide Angle Zoom: 16-35mm. Both are outstanding lenses. The Sony 20mm f/1.8 G has two advanced aspherical elements and three extra-low-dispersion elements and a 7.5-inch close-focusing distance (making it an excellent option for close-up, wide-angle photography). In reality though, the best wide angle lens for the Sony a7III is simply the right wide angle lens … I’ve been fortunate enough to have access to the entire range of native Sony e mount lenses (thanks Sony Australia! It’s hard after all to differentiate between very good and great, when lens quality is already more than most of us will ever need. (If there was an f/1.8 35mm, I would’ve got that too!). Even on an APS-C sensor body like the Sony A6500, the 85mm f/1.8 feels good, although 127.5mm as a focal length (with the crop sensor conversion) is admittedly a little less versatile. Lenses labeled ‘E’ cannot be used on FE-mount cameras (a7 and a9 series). $99.99 $ 99. The exact focal length and aperture are still unknown at the time of writing. Having said that, after spending a day shooting with the 16-35mm f/4 Zeiss and this Sony 16-35mm f/2.8 GM, I’m convinced that the latter is worth the extra cost. I actually prefer this construction over an all-metal lens, since they’re just so much lighter. I was on the fence for a while whether to include the excellent Sony FE 35mm f/2.8 here instead, but realised that my love for that lens was mostly due to its size rather than its optical performance. f/2.8 used to be considered sub-par for low-light photography, but with the high ISO capabilities of full frame cameras these days, it’s more than adequate. If portability is your primary concern the f/2.8 model is the best choice, but the lens I’m about to tell you about below is much better…. Providing a 35mm-equivalent focal length of 18mm and a broad 98.9° angle of view, this lens is great for interior, landscape, and architectural images. Sony A7 doesn't have a sensor based image stabilization system and none of these lenses have optical Image Stabilization. If you’re coming from Nikon or Canon, you’ll be used to the high price of f/2.8 zooms, the price is more easily justified – there’s a lot of crazy engineering that goes into producing a fixed-aperture lens of this caliber. Colour rendition is obviously also dependent on the camera used, but at least with the 55mm f/1.8 , you’ll know it’s not the lens letting you down! See where I’m going here? Paired with the Sony a7 or a9 series bodies which offer silent shooting, you can focus and shoot with no noise at all. You can see the latest price of this Sony mid-range zoom lens here. The best standard wide angle lens available for crop sensor Sony E mount cameras. All FE lenses are compatible with the Sony a6000 series and all other Sony e-mount crop sensor cameras. Rokinon’s wide angle lens is the best you could get at an affordable price. (We actually included this lens in our article on the best lenses for Sony a7 cameras.). I find that many Sony full frame camera owners also own crop sensor compact cameras too. As for image quality, the 28mm f/2 is sharp and contrasty all the way through the aperture range. Sony a7RIII + 35mm f/1.4 FE | © Gold Hat Photography. The f/4 Zeiss version is an affordable and tempting alternative, but you’ll be left wondering how much better your image could have looked…! No. 16mm on a full frame camera gives an expansive field of view, perfect for everything from wide panoramic vistas to environmental portraits (so long as the subject is a distance from the camera, and not placed at the edge of the frame!). However, I decided to include the Sony 50mm f/1.4 in the table above, since 50mm seems to be a more popular focal length for many photographers. Focus mode switch. If you’re looking for the sharpest lens at a useful, flattering focal length, it’s hard to beat the Sony 55mm f/1.8. The focus falloff from these razor sharp in-focus elements to creamy bokeh is gradual and subtle, and the bokeh itself is beautifully smooth. In actual fact, it turned out to be much more than that…. Using Canon lenses on a Sony body is definitely possible via adapters like these, and it’s fun to experiment with other 3rd party lenses too, but I always recommend using a native lens where possible. That’s right, the 55mm f/1.8 is getting long in the tooth…. This roundup has been updated to include both native Sony FE lenses for full frame, Sony APS-C lenses for crop sensor, and the latest range of Sigma Art lenses for Sony. I think it’s a fair assumption to say that the majority of professionals use full frame cameras, given the choice. This is a great value medium range prime lens for your FE or E mount Sony. If you’re looking for a wide angle zoom lens with the best image quality and can justify the price tag, there simply isn’t a better option than the Sony 16-35mm f/2.8. For all you Canon 85mm f/1.2L shooters, shooting wide open with that lens is like cheating – you can turn pretty much any background to a complete mushy creamy mess! It makes the camera a joy to hold, has excellent image quality and won’t break the bank. 28mm is a somewhat unusual focal length, and it did admittedly take me a little time to get used to. Wide angle lens; more Lens mounts. Here’s an example of a lens that’s quite a mouthful: Sony lens naming conventions can be a little confusing…. Free shipping on many items ... 4 product ratings - [Excellent condition] Sony A-mount 28mm F2.8 wide-angle lens. Reproduction in whole or in part without written permission is prohibited. Now that you’ve got over that initial shock, why the heck am I recommending such expensive glass in a roundup that’s supposed to cater for the average photographer?! Impeccable Sony G Lens design emphasizes a graceful balance between high resolution and gorgeous background bokeh that can enhance the artist's vision. For any photographer who needs a versatile portrait focal length at a good price, which complements the size of a Sony mirrorless camera. ), but am pretty confident it’d survive the fall if I did. more Focus motor. One nice touch is the aperture ring which allows aperture adjustments to be made on the lens. GM stands for ‘G Master’ – the premium Sony e mount lenses, similar to Canon’s L series. If you own a Sony crop sensor body and crave the the advantages and flexibility of using a ‘real’ 35mm lens (as opposed to one that’s labeled ’35mm’, but converts to around 50mm on APS-C), the 24mm f/1.8 is simply the best lens you can buy. aperture [9] F8 aperture [10] R: Radial values T: Tangential values, 1. I often shoot portraits at f/2, just to give myself a bit of leeway in case of missed focus. By investing in lightweight Sony FE lenses such as this 28mm, it’s easy to use the same lens on the smaller crop sensor body, and take advantage of the image quality inherent in FE glass. 99. Announced to complement the first Sony A7 and A7R mirrorless cameras, the 55mm f/1.8 was the perfect match for these groundbreaking devices. At only 200 g and a truly pocketable size, I imagined this would be my ‘everyday lens’ for non-professional use, or the lens I’d attach to my new a7 III when traveling. If you can get close enough to the subject, the bokeh exhibited by the Sony 16-35mm f/2.8 is smooth and creamy, although to really maximise the effect, you’ll need to be shooting at 35mm. 55mm f/1.8 offers a versatile focal length that’s perfect for shooting portraits, and delivers class-leading sharpness and first-rate Zeiss quality. A customizable focus hold button provides extra control versatility, while dust and moisture resistant design means reliable operation even in challenging conditions. 55mm may sound unusual, but the difference between a 50mm and a 55mm field of view is minor and something you’ll quickly get used to. Sure, your smart phone’s ‘portrait mode’ may be able to do something similar, but the process is much slower with the mobile phone and its fancy A.I. So, without further ado, here are the best Sony lenses. I was pleasantly surprised with how much bokeh can be produced at f/2 with this lens. All in all, the 55mm f/1.8 is a gem of a lens to have in your camera bag… or indeed your jacket pocket, due to its diminished size/weight. Well those days are no more – the 24-70mm f/2.8 is just as sharp than any Sony prime lens I’ve ever shot with – it’s up there with the Sony 55mm we discussed earlier, and all this from a lens that can take you from wide angle to portrait in one twist! There’s no doubt that this Sony 24mm f/1.8 is the best standard wide angle lens available for crop sensor Sony E mount cameras, but its price definitely isn’t for everyone. NEX stands for “New E-Mount eXperience”, with the branding no longer used on newer Sony cameras. Video, Photo, Vlog, or whatever you want to shoot. Wide Angle Camera Lens for Sony. Its size/weight went well with the smaller bodies, and the impeccable Carl Zeiss optics made the most of the A7R’s 36MP sensor. To give you a bit of background, I used to shoot with two Nikon D750s, with 35mm and 85mm f/1.4 lenses (see my gear set up here). A wide angle zoom lens with the best image quality and can justify the price tag. Sony a7RIII +  85mm f/1.8 | © Gold Hat Photography, So when I switched to Sony, I decided on the 85mm f/1.8 and haven’t looked back. 200 g. Along with the aforementioned 35mm, the Sony 28mm f/2 was the second of 3 lenses I bought when I switched from Nikon to Sony this year. We recommend downloading and installing the latest version of one of the following browsers: Our site is not optimized for your current browser. Before we dive head first into the Sony lens reviews, it’s important to understand what all the letters in the lens name mean. So I have been using this Sony ZV-1 and loving it since it arrived. Sony does make 50mm 1/.8 lenses for both E and FE mount cameras, but this 55mm is faster to auto-focus and sharper, making it definitely worth the additional expense if you plan to use it a lot. As you’d expect from the price tag of a G Master lens, image quality out of the Sony 16-35mm f/2.8 is nothing short of incredible. However, for half the price, I’d recommend you check out the f/4 variants too. Will Sony FE lenses work on a6000, a6300, a6400 & a6500 bodies? Fujifilm shooters are ‘limited’ to APS-C or Medium Format, but Sony shooters can decide between crop sensor and full frame.. and most pros choose full frame. As with all Zeiss lenses, build quality on the 55mm f/1.8 is excellent, with a metal barrel and a solid, high quality feel. If you need to turn unsightly backgrounds to mush or want to give subjects more 3 dimensionality, this 35mm lens is unbeatable in the Sony full frame lens lineup. FE lenses can be used on E mount cameras, but E lenses cannot be used on FE mount cameras. In fact, I’d go as far as to say it’s my favourite lens for a crop sensor Sony body such as the a6000. The size and weight balances nicely on the Sony a6XXX series bodies. Investing in one body and just the 24-70mm f/2.8 will mean that you’ll have all your focal distances covered, and can mean a more practical entry into the world of Sony for professional use. Many photographers come to Sony from Nikon or Canon, so their first question is whether they can still use their existing non-native lenses on their new Sony body. The new lens features technology found in the highly-touted Sony G Master line in a compact and lightweight design at less than $1000. Sony has its 10-18mm zoom, and third parties like Venus and Zeiss offer wide-angle prime lenses for the sensor format. I could go on and on about this lens, but to cut a long story short, the 35mm f/1.4 has made me confident that my switch from Nikon to Sony for my wedding photography work has been a wise one. 50mm is a popular focal length since it gives an un-distorted view of the world, and can be flattering for portraits, without making the subject feel detached like a longer lens might. Sony FE 24mm f/1.4 GM. It also exhibits very little distortion. F/2 on the 35mm f/1.4 seems to be the sweet spot in terms of centre sharpness and combined with the beautiful bokeh, that pleasing ‘3D effect’ is actually increased. So what are you getting for your money? Since it’s such a lightweight lens, auto focus performance on the 28mm f/2 is silent and lightning quick. The Sony 70-200mm f/4, for instance, is great value for money, and perfect for both Sony crop sensor or full frame cameras (it becomes a 105-300mm equivalent on APS-C). As mentioned previously, I’d also like to hear about your favourite 3rd party lenses which you use mount on Sony camera bodies. Build quality is all-metal as to be expected from Carl Zeiss, and it’s a huge step-up from the plasticky kit lens. 20mm, 21mm , 24mm, etc. Learn more about Sony and the environment. Currently my favorite wide angle lens on my sony a7 is an old prime Minolta Rokkor 17mm f4 which I use extensively in cave photography. Remember that FE lenses can be used on all Sony mirrorless cameras (at a 1.5* focal length multiplication). Remember when everyone started using prime lenses because they were sharper and better quality than zoom lenses? Outstanding mobility and quiet, fast, precise autofocus make it ideal for shooting movies as well as stills. The E-mount is used on the Sony mirrorless camera system (Alpha 7, 6000, 500o and NEX series cameras). The ‘Distagon’ in its full name (Sony FE 35mm f/1.4 Zeiss Distagon T*) refers to a lens design which helps reduce distortion. Let’s just say that if sharpness, clarity and low-light performance/ability to blur the background is most important to you, carry on reading ;-), 16-35mm is an extremely useful focal range for all types of photographer. At f/2.8, the 24-70mm f/2.8 is impressively sharp in the centre of the frame across the entire focal range. I have to say that the auto-focus speed of the 35mm f/1.8 when mounted to the Sony a6000 wasn’t amazing, especially when the subject was heavily back-lit. 12 watching. 4.0 out of 5 stars 49. Sony E Mount Lens 6.5mm f/2.0 Wide Angle Circular Fisheye for Sony Mirrorless Camera A6600 A6100 A6400 A6500 A6300 A5100 A6000 A5000 NEX by Altura Photo with Protective Hard Case. Compatibility: Full frame (FE) & Crop Sensor (E) Minimum Focus: 0.28 m Filter Diameter: 82 mm Size: 88.5 mm (diameter) x 121.6 mm (length) Weight: Approx. The best of what Sony has to offer on iOS or Android. classic focal length for portrait photographers, this guide to the best lenses for the Sony a6000, FE – any lens that covers a 35mm sized sensor (designed for use on Sony’s full frame mirrorless cameras), G – ‘Gold’ lenses are Sony’s highest quality professional-grade lenses, OSS – ‘Optical SteadyShot’ is Sony’s in-built lens image stabilization, ZA – ‘Zeiss Alpha’, or any Sony lens featuring Carl Zeiss, SSM – ‘SuperSonic Motor’ is for extremely fast and silent Autofocus, SAM – ‘Smooth Autofocus Motor’, usually seem on Sony’s lower-end lenses, ED – ‘Extra-low Dispersion’ glass elements designed to reduce chromatic aberrations, DT – ‘Digital Technology’, refering to lenses that are designed for Sony APS-C sensor cameras, SEL – Sony autofocus lenses designed for E-mount. DXO Mark compared the Sony 85mm f/1.8 with the other Sony/Zeiss 85mm variants and found it to be the sharpest of the bunch. On a Sony e mount camera like the a6000, it’ll become a 142mm lens, also great for portrait photography. It is an excellent choice for dynamic landscape and architecture photography. Sony E Mount lenses are designed for Sony mirrorless camera bodies. For zooms, the f/2.8 G Master lenses are the cream of the crop, whether you own FE or E mount. The 28mm f/2 is currently the most affordable Sony FE prime lens (see the latest price here), and an absolute bargain when compared to wide angle lenses of a similar caliber by other manufacturers. If you’ve just blown your budget on a new Sony full frame mirrorless camera and can only save up for one lens, the 28mm f/2 would be my recommendation. It makes the camera a joy to hold, has excellent image quality and won’t break the bank. Yes, at a 1.5x focal length and maximum aperture multiplication. Yes there’s an f/4 Zeiss version and even a 28-70mm f/3.5-5.6 Sony offering too… but they’re all outperformed by the 24-70mm f/2.8. Focus hold button (customizable) / 3. I love the look of images shot at f/1.4, but felt that I could easily get by with f/1.8 – the trade off in light gathering ability was more than worth it for the reduction in size/weight and price. At f/1.8 there’s slight corner softness, but nothing that distracts, and if you get close to your subject, you’re rewarded with some beautiful bokeh thanks to 7 rounded diaphragm blades. This lens features an advanced inner-focus mechanism driven by Sony's Direct Drive SSM (DDSSM) system for fast, accurate AF lock-on as well as smooth, quiet operation. Since Sony A7 has environmental sealings (Weather Sealing), you may like to couple your camera with one of these 12 Wideangle Prime lenses with Weather Sealings. Obviously, AF speed is largely dependent on the camera itself but paired with any Sony mirrorless full frame camera, I’m confident that you won’t be disappointed. At f/4, sharpness improves, but let’s face it – you’ll be shooting this bad boy wide open most of the time, so it’s good to know it performs well like that! Overall, the Sony 35mm f/1.8 is a versatile and fun little lens that is the perfect complement to a small Sony mirrorless body, with images quality that simply isn’t possible with the kit lens that comes with your camera. Please contactCustomer Support, CareersContact UsCompany InfoVoluntary Recall, SEL TERMS AND CONDITIONSSEL PRIVACY POLICYCA PRIVACY NOTICEDO NOT SELL MY PERSONAL INFORMATION. It’s very rare to find a lens with such a wide aperture that’s this sharp corner-to-corner, with hardly any perceptible coma or vignette. Compatibility: Crop Sensor (E) Minimum Focus: 0.16 m Filter Diameter: 49 mm Size: 63 mm (diameter) x 65.5 mm (length) Weight: Approx. A nice touch is a ‘focus-hold’ button on the side of the lens, which can be customised to control various other functions – I have mine set to control Eye AF. 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